{"id":1146,"date":"2014-10-20T17:08:50","date_gmt":"2014-10-20T16:08:50","guid":{"rendered":"https:\/\/www.pltv.fr\/?page_id=1146"},"modified":"2020-05-22T10:43:59","modified_gmt":"2020-05-22T09:43:59","slug":"luc-hermann","status":"publish","type":"page","link":"https:\/\/www.pltv.fr\/en\/luc-hermann\/","title":{"rendered":"Luc Hermann"},"content":{"rendered":"<div class=\"row cf\"><div class=\"column two-third\">\n<h2>producer, film director, author, journalist<\/h2>\n<p class=\"pEspace\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-996 size-full\" src=\"https:\/\/www.pltv.fr\/wp-content\/uploads\/2014\/10\/LucHermann.jpg\" alt=\"LucHermann\" width=\"175\" height=\"263\" \/><\/p>\n<p>Luc Hermann is a producer, film director, author and journalist.<\/p>\n<p>He is the president of Premi\u00e8res Lignes, a independent documentary production company based in Paris. He has produced over 200 investigative documentaries with prominent directors for major networks including Netflix, France T\u00e9l\u00e9visions, Arte (France \/ Germany), Canal+, HBO, BBC 1 (Panorama programme) (UK), Discovery Networks (USA), RTBF (Belgium), RTS (Switzerland) and he has organized international partnerships with <a href=\"http:\/\/www.icij.org\/\">the International Consortium of Investigative Journalism<\/a> (ICIJ) to\u00a0 contribe to major breaking investigations including LuxLeaks, the Panama Papers and the Paradise Papers.<\/p>\n<p>He is a also a film director(selected filmography below).<\/p>\n<p>Luc Hermann started his career as a journalist and associate producer in the United States, where he worked at <strong>CNN International<\/strong> for 2 years. Then he worked for 18 years at French network Canal + as international reporter and film director.<\/p>\n<p>From 1999 to 2006, he co-directed with <a href=\"https:\/\/www.pltv.fr\/en\/paul-moreira\/\" target=\"_blank\" rel=\"noopener\">Paul Moreira<\/a> the investigative programme \u201c<strong>90 minutes<\/strong>\u201d.\u00a0 A key programme that impulsed the emergence of a new investigative journalism in France. At this time, Luc Hermann investigated large companies on very sensitive subjects such as the controversial Total\u2019s gas pipeline in Burma or Pfizer\u2019s marketing of a an antidepressant drug for kids. He also directed several documentaries decoding spin doctors\u2019 strategies during the wars in Kosovo and in Iraq.<\/p>\n<p>Together with Paul Moreira, he is since 2004 at the head of a French freedom of information act (FOIA) campaign, aimed at lobbying French politicians. The \u201cLibert\u00e9 d\u2019Informer\u201d campaign has organised numerous debates at universities and at the French Natioanl Assembly, and received the support of hundreds of French journalists, elected officials, lawyers. To date, more than 6,000 signatures have been submitted to the campaign\u2019s website,\u00a0<a href=\"http:\/\/www.liberte-dinformer.org\/\" target=\"_blank\" rel=\"noopener\">www.liberte-dinformer.org<\/a>.<\/p>\n<p>In September 2009, Luc Hermann joined his former Canal + colleague <a href=\"https:\/\/www.pltv.fr\/en\/paul-moreira\/\" target=\"_blank\" rel=\"noopener\">Paul Moreira<\/a> to develop Premieres Lignes agency. His arrival gives it a great boost. Putting together a team of talented independent film makers and investigative reporters, he produced over 50 audacious and multi-awarded documentaries for all major French networks: Arte, Canal+, France 2, France 3, France 5, and France 4.<\/p>\n<p>Luc Hermann pioneered the production of creative and innovative formats with the help of talented journalists, writers, IT specialists and graphic designers. Linking TV-aired documentaries to interactive web developments offers a much enriched viewer\u2019s experience. Lately Luc Hermann directed a 2-episode documentary on soft power games and spin doctors\u2019 strategies <em>\u201c<strong>Jeu d\u2019influences<\/strong>\u201d<\/em>. The TV broadcast was associated with an online game where the viewer could put himself in a spin doctor\u2019s shoes and experiment the perception management of crises. The series received multiple awards and distinctions. He also published an eponymous book.<\/p>\n<p>Luc Hermann is often invited on French radio France Inter as a columnist sharing his analyses and decoding of political or corporate spin. He\u2019s also an advisor\u00a0at the London\u00a0<a href=\"http:\/\/www.tcij.org\/\" target=\"_blank\" rel=\"noopener\">Center for Investigative Journalism<\/a>\u00a0and a regular speaker at Lille School of Journalism (ESJ), at the London City University investigative journalism summer school and at the <a href=\"http:\/\/www.journalism.co.za\/power-reporting\/\" target=\"_blank\" rel=\"noopener\">African Journalism Investigative Conference<\/a>\u00a0in Johannesburg.<\/p>\n<\/div><div class=\"column one-third\">\n<h2 class=\"titreB\">Selected filmography<\/h2>\n<ul class=\"filmographie\">\n<li>Big Pharma, gaming the system (in production), codirected with Claire Lasko, co-\u00e9crit avec Insaf Maadad, Arte, RTBF, RTS, RSI<\/li>\n<li>Starbucks unfiltered, codirected with Gilles Bovon, Arte, RTS, RSI, RTBF, ZDF<\/li>\n<li>\n<p class=\"pEspace\"><i>Jeu d\u2019influences,<\/i>\u00a0co-r\u00e9alis\u00e9 avec Gilles Bovon, France 5, LCP, 2014<\/p>\n<\/li>\n<li>\n<p class=\"pEspace\"><i>WikiLeaks : la guerre contre le secret,<\/i>\u00a0co-r\u00e9alis\u00e9 avec Paul Moreira, Arte, LCP, 2012<\/p>\n<\/li>\n<li>\n<p class=\"pEspace\"><i>La crise des subprimes,<\/i>\u00a0France 2, 2008<\/p>\n<\/li>\n<li>\n<p class=\"pEspace\"><i>Sarkozy v.s. Royal, la guerre de la communication,<\/i>\u00a0France 2, 2007<\/p>\n<\/li>\n<li>\n<p class=\"pEspace\"><i>Peut-on rep\u00e9rer la d\u00e9linquance d\u00e8s la maternelle ?<\/i>\u00a0Canal+, 2006<\/p>\n<\/li>\n<li>\n<p class=\"pEspace\"><i>Dieu contre Darwin : le lobby Adam et Eve,<\/i>\u00a0Canal+, 2005<\/p>\n<\/li>\n<li>\n<p class=\"pEspace\"><i>Irak : la guerre des propagandes,<\/i>\u00a0Canal+, 2004<\/p>\n<\/li>\n<li>\n<p class=\"pEspace\"><i>Comment l&#8217;industrie agro alimentaire fabrique des ob\u00e8ses,<\/i>\u00a0Canal+, 2003<\/p>\n<\/li>\n<li>\n<p class=\"pEspace\"><i>Attentats du 11 septembre : pouvait-on les emp\u00eacher ?<\/i>\u00a0Canal+, 2002<\/p>\n<\/li>\n<li>\n<p class=\"pEspace\"><i>Antid\u00e9presseurs pour enfants : la fin d&#8217;un tabou,<\/i>\u00a0Canal+, 2001<\/p>\n<\/li>\n<li>\n<p class=\"pEspace\"><i>Vache folle : guerre des tests et ins\u00e9curit\u00e9 alimentaire,<\/i>\u00a0Canal+, 2001<\/p>\n<\/li>\n<li>\n<p class=\"pEspace\"><i>Kosovo : comment on nous a vendu la guerre,<\/i>\u00a0Canal+, 2000<\/p>\n<\/li>\n<li>\n<p class=\"pEspace\"><i>Total en Birmanie : l&#8217;autre scandale,<\/i>\u00a0Canal+, 2000<\/p>\n<\/li>\n<li>\n<p class=\"pEspace\"><i>Sida : le grand business des laboratoires,<\/i>\u00a0Canal+, 2000<\/p>\n<\/li>\n<li>\n<p class=\"pEspace\"><i>Honduras : un an apr\u00e8s le cyclone Mitch,<\/i>\u00a0Canal+, 1999<\/p>\n<\/li>\n<li>\n<p class=\"pEspace\"><i>Je squatte la t\u00e9l\u00e9,<\/i>\u00a0Canal+, 1998<\/p>\n<\/li>\n<li>\n<p class=\"pEspace\"><i>Alg\u00e9rie : la parabole de Sa\u00efd,<\/i>\u00a0Canal+, 1997<\/p>\n<\/li>\n<li>\n<p class=\"pEspace\"><i>24 HEURES,<\/i>\u00a0nombreux documentaires, dont &#8220;La r\u00e9volution Roumaine&#8221;, &#8220;La guerre du golfe&#8221;, &#8220;l&#8217;Op\u00e9ra Bastille&#8221;, &#8220;Las Vegas&#8221; CAPA &#8211; Canal+, 1989 &#8211; 1996<\/p>\n<\/li>\n<li>\n<p class=\"pEspace\"><i>CNN : la guerre de l&#8217;info,<\/i>\u00a0M6, 1995<\/p>\n<\/li>\n<li>\n<p class=\"pEspace\"><i>Russie : l&#8217;usine pour les yeux du Pr Fyodorov,<\/i>\u00a0Prix de la CTF, Communaut\u00e9 des t\u00e9l\u00e9visions francophones, Canal+, 1990<\/p>\n<\/li>\n<li>\n<p class=\"pEspace\"><i>Les enfants de la Foundation for Hospital Art \u00e0 Moscou,<\/i>\u00a0Prix AGENA du meilleur reportage humanitaire, Canal+, 1990<\/p>\n<\/li>\n<\/ul>\n<h2 class=\"titreB\"><\/h2>\n<div class=\"livre\"><\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"page-bio.php","meta":{"_acf_changed":false,"footnotes":""},"acf":[],"_links":{"self":[{"href":"https:\/\/www.pltv.fr\/en\/wp-json\/wp\/v2\/pages\/1146"}],"collection":[{"href":"https:\/\/www.pltv.fr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.pltv.fr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.pltv.fr\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pltv.fr\/en\/wp-json\/wp\/v2\/comments?post=1146"}],"version-history":[{"count":11,"href":"https:\/\/www.pltv.fr\/en\/wp-json\/wp\/v2\/pages\/1146\/revisions"}],"predecessor-version":[{"id":10050,"href":"https:\/\/www.pltv.fr\/en\/wp-json\/wp\/v2\/pages\/1146\/revisions\/10050"}],"wp:attachment":[{"href":"https:\/\/www.pltv.fr\/en\/wp-json\/wp\/v2\/media?parent=1146"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}